A composition/installation for electric bass, composed by Frederick Galiay.
Missing Time is a composition in eight parts, for a soloist playing the electric bass, in interaction with a device of active sound recording (and for the live version, an interpreter in acousmonium).
The bass is put on the ground, played by a single instrumentalist, with diverse items (bows, metals, resonators…) and the electric signal, divided into two circuits, is also modulated by the instrumentalist.
Both different signals are managed towards two independent systems of diffusion. Every amplifier is then "taken back" by several points of recording.
In the studio version, the reorganization of these multiple points of view of the same music uses techniques
(...)